TuttiFrutti Collection
The fruit sculptures taking part of this collection called TuttiFrutti, sometimes depicting fruits 'sliced,' 'eaten,' or 'rotten,' are conceived to raise awareness about excessive food consumption. Each artwork plays on oversized dimensions to emphasize this theme.
This project aims to highlight the issues of abundance and food waste. The sculptures, crafted from retired traffic signs, hand-painted, and occasionally coated with solvent-free epoxy resin, serve as visual symbols of transformation and decay, prompting reflection on our relationship with food and resources.
Encountering TuttiFrutti, viewers will find a creative and provocative reinterpretation of the themes of consumption and food waste. These artworks not only capture attention for their unique aesthetics and materiality but also provoke critical reflection on modern food practices and environmental sustainability.
I invite the audience to explore this artistic realm that blends art, social critique, and material innovation.
This project aims to highlight the issues of abundance and food waste. The sculptures, crafted from retired traffic signs, hand-painted, and occasionally coated with solvent-free epoxy resin, serve as visual symbols of transformation and decay, prompting reflection on our relationship with food and resources.
Encountering TuttiFrutti, viewers will find a creative and provocative reinterpretation of the themes of consumption and food waste. These artworks not only capture attention for their unique aesthetics and materiality but also provoke critical reflection on modern food practices and environmental sustainability.
I invite the audience to explore this artistic realm that blends art, social critique, and material innovation.
Mus3um Collection
The Mus3um collection is born from my deep respect for classical art and the desire to transform what the human has discarded. Each piece is a tribute to works and figures that have left an indelible mark on history, but it is also a hymn to transformation and rebirth.
Inspired by iconic masterpieces, I’ve reinterpreted forms and colors using everyday objects: aluminum cans, bottle caps, discarded materials, and everything that would otherwise end up in a landfill.
For the tributes to legendary figures, I chose to work with materials recovered from beaches and illegal dumpsites: plastics, scraps, and debris—objects marked by time and neglect.
Each piece in the Museum collection is a dialogue between past and present, between what was and what can still become. Transforming waste into art is my way of honoring memory and challenging convention, proving that even what is broken or deemed worthless can create an extraordinary visual and emotional impact.
Street Art & Installations
Street art is traditionally associated with spray paint and outdoor walls, but my vision goes beyond these boundaries, exploring new creative dimensions.
I aim to transform urban as well as privately commissioned spaces by integrating materials such as wood, steel, iron, and plastic with spray paints, creating three-dimensional works that are not only visual but also tactile and spatial.
My goal is to redefine the boundaries of street art, bringing it into a more physical and engaging dimension. Through the use of sculpture, I intend to offer new multisensory experiences, where the material becomes an integral part of the artistic message, providing a fresh perspective on contemporary street art.
I aim to transform urban as well as privately commissioned spaces by integrating materials such as wood, steel, iron, and plastic with spray paints, creating three-dimensional works that are not only visual but also tactile and spatial.
My goal is to redefine the boundaries of street art, bringing it into a more physical and engaging dimension. Through the use of sculpture, I intend to offer new multisensory experiences, where the material becomes an integral part of the artistic message, providing a fresh perspective on contemporary street art.
Micro Sculpting
In a digital world where every font is born with a click, my typefaces stand out for their handcrafted and tangible essence. Each letter of the alphabet wasn’t conceived on a computer; instead, it’s the result of patient and meticulous manual work.
Using simple discarded objects—such as unusable staples, can lids, and obsolete tools and items destined for the landfill—I’ve shaped each character, transforming humble materials into intricate works of art. Every curve, every angle required hours of labor and a great deal of patience, but the process also unveiled a unique joy: watching the letters come to life in my hands.
My hands, marked by small scratches and cuts, bear witness to the dedication with which each letter was created. Each mark on my skin tells a story of passion and precision, a small sacrifice to give form to something truly unique. The fonts in this collection are not just a set of letters; they are a journey into the world of micro-sculpture, where the imperfections of staples and repurposed materials become a perfect expression of creativity.
Using simple discarded objects—such as unusable staples, can lids, and obsolete tools and items destined for the landfill—I’ve shaped each character, transforming humble materials into intricate works of art. Every curve, every angle required hours of labor and a great deal of patience, but the process also unveiled a unique joy: watching the letters come to life in my hands.
My hands, marked by small scratches and cuts, bear witness to the dedication with which each letter was created. Each mark on my skin tells a story of passion and precision, a small sacrifice to give form to something truly unique. The fonts in this collection are not just a set of letters; they are a journey into the world of micro-sculpture, where the imperfections of staples and repurposed materials become a perfect expression of creativity.