My Visions
Creating sustainable art sculptures from recycled materials and ocean waste. In my artistic work, I let myself be guided by discarded materials that I randomly encounter in the environment. I do not follow patterns or preconceived ideas, but allow the recovered objects—whether they are plastic, metal, wood, or other scraps—to be a source of inspiration for me, an opportunity to transform them into something new and meaningful.
I do not plan in advance but follow the creative flow dictated by the objects themselves, which seem to suggest to me how they want to be reused. Through the process of creative recycling, I also seek to convey a strong message: even what seems to have no value can become part of a work of art, contributing to raising awareness about sustainability and respect for the environment.
I do not plan in advance but follow the creative flow dictated by the objects themselves, which seem to suggest to me how they want to be reused. Through the process of creative recycling, I also seek to convey a strong message: even what seems to have no value can become part of a work of art, contributing to raising awareness about sustainability and respect for the environment.
TuttiFrutti Collection
Recycled road signs transformed into fruit sculptures.
The TuttiFrutti project explores themes of abandonment, waste, and food overproduction by transforming discarded road signs into stylized fruit sculptures. Once functional objects, these rusted, deformed, and time-worn signs lose their purpose, much like fruit left to rot on trees.
The signs, with their supporting poles, evoke the image of trees holding decaying fruit. This parallel between the artificial and natural worlds highlights the idea of collective waste: the waste of materials and food. In their decay, both abandoned signs and fruit take on new meaning, becoming visual symbols of unused and neglected resources.
The TuttiFrutti project explores themes of abandonment, waste, and food overproduction by transforming discarded road signs into stylized fruit sculptures. Once functional objects, these rusted, deformed, and time-worn signs lose their purpose, much like fruit left to rot on trees.
The signs, with their supporting poles, evoke the image of trees holding decaying fruit. This parallel between the artificial and natural worlds highlights the idea of collective waste: the waste of materials and food. In their decay, both abandoned signs and fruit take on new meaning, becoming visual symbols of unused and neglected resources.
The TuttiFrutti collection, featuring sculptures of "sliced," "eaten," or "rotten" fruit, aims to raise awareness about excess and irresponsible food consumption. Each piece deliberately plays with exaggerated proportions to amplify its visual and conceptual impact, turning familiar elements into powerful reflections on waste.
Through the transformation of forgotten and corrupted materials, the project challenges the notion that a loss of function equates to a loss of value, inviting the public to reflect on the potential for recovery and the need to reconsider what is discarded.
Through the transformation of forgotten and corrupted materials, the project challenges the notion that a loss of function equates to a loss of value, inviting the public to reflect on the potential for recovery and the need to reconsider what is discarded.
Commissioned Works
In this section you will find some works from a much larger portfolio of commissioned works, including street art and installations.
Street art is traditionally associated with spray paint and outdoor walls, but my vision goes beyond these boundaries, exploring new creative dimensions.
I aim to transform urban as well as privately commissioned spaces by integrating materials such as wood, steel, iron, and plastic with spray paints, creating three-dimensional works that are not only visual but also tactile and spatial.
My goal is to redefine the boundaries of street art, bringing it into a more physical and engaging dimension. Through the use of sculpture, I intend to offer new multisensory experiences, where the material becomes an integral part of the artistic message, providing a fresh perspective on contemporary street art.
Street art is traditionally associated with spray paint and outdoor walls, but my vision goes beyond these boundaries, exploring new creative dimensions.
I aim to transform urban as well as privately commissioned spaces by integrating materials such as wood, steel, iron, and plastic with spray paints, creating three-dimensional works that are not only visual but also tactile and spatial.
My goal is to redefine the boundaries of street art, bringing it into a more physical and engaging dimension. Through the use of sculpture, I intend to offer new multisensory experiences, where the material becomes an integral part of the artistic message, providing a fresh perspective on contemporary street art.
Lettering
I do not begin with pixels on a screen but with discarded materials in my hands, following a creative flow that reverses the traditional font design process. Where others start digitally and move toward print, I start with physical matter - abandoned staples, forgotten objects, weathered materials - and transform them into living letterforms through patient handcraft.
My typographic approach mirrors my philosophy of creative recycling: even materials that seem to have lost their purpose can become carriers of communication, contributing to a new understanding of how letters can be born. Through this process of material typography, I challenge the notion that fonts must originate from computers, instead letting physical objects suggest how they want to be reimagined as alphabets.
Each experimental font begins as sculpture, built letter by letter from discarded materials that whisper their own stories. The Fluffy Font emerges from thousands of office staples explores the paradox between industrial rigidity and expressive communication, while the Pablo Font channels Picasso's revolutionary vision through typographic tribute. These physical creations then make their journey into the digital realm, maintaining the soul and texture of their material origins.
This reversed methodology - from matter to pixel rather than pixel to matter - creates fonts with a tangible memory, where every digital letter carries the DNA of its physical birth. Through this unconventional approach, I seek to bridge the gap between our increasingly digital world and the tactile reality of materials that surround us, inviting viewers to reconsider both typography and waste as sources of creative potential.